- ����ƽ�
��ʒ�����ھɽ�ɽ���ֿ��ȵ�ӣ������
����a makeover for trash; now, it"s art
�������������������ݾɽ�ɽ�еĺ����ʒת��������������(swtrc)���վٰ�����һ������չ������լ500�����������߲μ�������չ�ŀ�ļ��ʽ��
����the air-kissers with the interesting eyewear were all there. it was the art opening of the season. about 500 gallery-hoppers attended the most recent opening at one of the city"s most prestigious galleries: the dump.
�������������������ݾɽ�ɽ�еĺ����ʒת��������������(swtrc)���վٰ�����һ������չ������լ500�����������߲μ�������չ�ŀ�ļ��ʽ��
�����ݡ�ŧլʱ����1��26�ձ�������ͨ���ķ�ʒ����վ��ͬ���ɽ�ɽ�����ʒת��������������(ҳ�����������ѵ泡)����ҫ�ĺ�����������е�դȫ����������ļ��ء�ʱ�£��������ͷ�ʒϊ���ϵ����������ھɽ�ɽ������ֿ��ȣ�ÿһ�����м��������ұ�ѡ�у����ե�swtrc��44ӣķ�ŀռ�����д�����
��������˵���ɽ�ɽ���ڳ�ϊ�����ļ���֮��(capital of recycling)��ŀǰ�ɽ�ɽ��63%�������ܵõ����������á�swtrc���й���ʿ����˵������ʒ����ϊһ�֡��ӿ���դ����ϊ�˺����������˷���ʒ��������������ʵ�ֵ�2010��75%�����������������õ�ŀ�ꡣ
����swtrc������1990�꣬���ɾɽ�ɽ���ص�һλ�����ҽ����ģ�ŀǰ��ŵ�˶���ʒ������(norcal waste systems)���й��������ڣ��ɽ�ɽ�ķ�ʒ�����͵�swtrc�������ﱻ����ͻ��������á����������ҷ���swtrc�ｨ�����լ��ĺ����ң����¡��ŷ����������е�һλ�����չ����չ�����ŷ����ķ����ʒ��
�����������÷�ʒ������������������ʵ����ŧլ����ָ����һλ������ר�ŵ��·�ʒ������������ү���ա����������ڿ���˹����65�꣬��1977�꿪ʼ������פ����ŧլ�������֣����������³�һ����������������¶��������������ĸ���������֮�£�swtrc���������������һ����ѡίա��ѡ�����ģ����dz���רְ���·�ʒ�������������ǵ�swtrc���д�����ʱ��������ֱ�ӻ������ķ�ʒ�ӵ����и���ļ��ἤ����с��ڿ���˹ůʿ˵������ʵ˵����һֱ����ľ���ǡ���
����the air-kissers with the interesting eyewear were all there. it was the art opening of the season, and the cognoscenti gathered to sip chardonnay and wax poetic about the work on display at one of the city"s most prestigious galleries: the dump.
����"it"s very textural, very architectonic," said hector dio mendoza, a sculptor from san jose, speaking of his 15-foot plastic foam tree, a work of haunting, austere beauty representative of what might be called the trash can school. "i love the way light reflects off the styrofoam."
����mr. mendoza holds one of the most coveted positions in the san francisco art world: one of three current artists in residence at the san francisco solid waste transfer and recycling center, a fragrant 44-acre font of inspiration otherwise known as the dump. about 500 gallery-hoppers attended the most recent opening, last friday night, venturing about eight miles south of downtown to a service road lined by seagulls in hitchcockian thousands.
����the open studio was the seasonal highlight of a program that gives a rotating roster of jury-selected artists access to the city"s garbage.
����founded in 1990 by a local artist and administered by norcal waste systems, the company that picks up and recycles san francisco"s garbage, the program has become a bona fide phenomenon here. it is deeply expressive of a place where recycling is practically a religion and personal expression and env
����ironmental politics are urban dogma.
����artists like mr. mendoza set up shop in a studio at the dump (items that cannot be recycled wind up at a landfill east of the city). decked out in fashionable steel-toed boots and hard hats, they comb through 75 tons a day of eclectic debris - discarded cd boxes, dead microwave ovens and the like. the resulting artwork, like mark faigenbaum"s "raymond chandler" - a noirish tableau created from salvaged bullets and a 1930"s circuit panel spattered with what appeared to be vintage blood - underscores the city"s status as the nation"s capital of recycling. currently, 63 percent of its garbage is recycled.
����the promotion of garbage as a "visual resource" is meant to inspire the public to be less wasteful and to help the city achieve a recycling goal of 75 percent by 2010.
����"a lot about san francisco is outside the box, including dealing with garbage in a thoughtful way," said kate krebs, executive director of the national recycling coalition, a nonprofit organization in washington.
����new york is the only other city with an artist officially designated to work with garbage. since 1977, mierle laderman ukeles, 65, has been the sole artist in residence for the city"s sanitation department, working on a conceptual piece on the former fresh kills landfill in staten island, from a studio in lower manhattan.
����in contrast to new york, ms. ukeles said, san francisco"s rotating artists are selected by a jury, own their own work and are physically based at the dump. "i was always jealous, honestly," she said. (���ĸ���)
����ʒ�����ھɽ�ɽ���ֿ��ȵ�ӣ�����ġ�������£�
11-03
11-02
11-04
11-03
05-09
12-10
03-07
02-23
03-03
01-08